South is filled with a sort of kinetic energy; an excitement of being on her first mission and actually getting out to do things. She does have to remind herself not to kill, because in her previous life that had pretty much been the modus operandi.
The message itself is creepy enough, seeing the blantant horros on screen made South a little uneasy being on the ship, but she isn't given too much time to worry about it before she's waking up in a nightmarish land. She goes on high alert; she's got to escape, got to find her way out. But she's seduced by visions - flashes of hte ranking board, reflections of North's face, whispers of disappointment from the Director, from everyone else. No, she couldn't escape; she had to prove herself. She had to prove she was stronger than that.
But was she?
No matter when you catch her she'll likely attack before recognizing friend over foe, but the later you catch her the harder it'll be to convince her you're a friend.
South Dakota // SWITCH
The message itself is creepy enough, seeing the blantant horros on screen made South a little uneasy being on the ship, but she isn't given too much time to worry about it before she's waking up in a nightmarish land. She goes on high alert; she's got to escape, got to find her way out. But she's seduced by visions - flashes of hte ranking board, reflections of North's face, whispers of disappointment from the Director, from everyone else. No, she couldn't escape; she had to prove herself. She had to prove she was stronger than that.
But was she?
No matter when you catch her she'll likely attack before recognizing friend over foe, but the later you catch her the harder it'll be to convince her you're a friend.
But that's exactly what she needs right now.